By Diane M. Nelson
Supported by means of 3 and a part years of fieldwork on the grounds that 1985, Nelson addresses those questions—along with the jokes, ambivalences, and constructions of hope that encompass them—in either concrete and theoretical phrases. She explores the family between Mayan cultural rights activists, ladino (nonindigenous) Guatemalans, the country as a website of fight, and transnational forces together with Nobel Peace Prizes, UN Conventions, neo-liberal economics, international television, and gringo anthropologists. in addition to indigenous claims and their impression on present makes an attempt at reconstituting civilian authority after many years of army rule, Nelson investigates the suggestion of Quincentennial Guatemala, which has given concentration to the overarching query of Mayan—and Guatemalan—identity. Her paintings attracts from political economic climate, cultural stories, and psychoanalysis, and has detailed relevance to ongoing discussions of strength, hegemony, and the creation of topic positions, in addition to gender concerns and histories of violence as they relate to postcolonial geographical region formation.
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Extra resources for A Finger in the Wound: Body Politics in Quincentennial Guatemala
A Finger in the Wound: Body Politics in Quincentennial Guatemala by Diane M. Nelson